Hadestown remains listed as an open-ended Broadway run at the Walter Kerr. [1] Playbill still files the production without a closing date. [1] Wednesday has no named last-performance notice in fetched copy. An indefinite run is not a closing. Print holds. Do not print a close.

Venice awards later sit on another page. They are not this marquee. Leave a named closing to the edition that owns a named closing. A quiet listing is not a shuttered theatre.

Print holds. Wednesday is not a Hadestown close. An open-ended listing is still a listing. Leave a named last night to the edition that owns a named last night. Print holds as the named Wednesday marquee word. The Walter Kerr listing is still open-ended, not shuttered.

Hadestown's mythic road to hell has run for years without reaching an end. Wednesday's listing extends the journey. Hell, like Broadway, has no closing date announced.

Roads to hell run long; Wednesday's runs on. Open endings outlast announcements. The Kerr stays lit.

Open-ended listings stay open; Wednesday's journey extends. No last night named. Broadway's hell has no announced exit.

Wednesday's listing is open-ended, not shuttered. The Kerr stays lit. No last night named.

No last Hadestown performance is named on the Walter Kerr listing. Playbill still files the production as open-ended on Wednesday. Venice prizes on another page do not shutter this marquee. The Kerr listing is still a run.
No last night named. Venice prizes do not shutter this marquee. The Kerr listing is still a run.

No last night named. Venice prizes do not shutter this marquee. The Kerr listing is still a run.

-- CAMILLE BEAUMONT, Los Angeles