Mathilde Arcel took Best Actress for Woman Unknown on Saturday. [1] This paper printed the Lion and Arcel the same night. Sunday has no second statue. A Saturday prize is not a Sunday prize. Print Saturday. Do not print a new Actress award. No second Actress envelope is in Sunday's Lido copy. Sunday produced no statue, and the archive keeps the last named one.

Sunday recap that pretends the Sala Grande is still voting Actress is a feed, not Reuters.
No Monday Actress envelope is in Sunday's stack either — Sunday is not awards night.
Print Saturday's Actress. Sunday is not the Sala Grande.
A Best Actress prize remains Saturday's statue on this desk.
Arcel remains Saturday's name on this desk.
Best Actress prizes attach to performances, not weekends; Arcel's stays with Woman Unknown wherever it screens next. The film leaves Venice with two top honors. Sunday ships nothing further.

Two honors travel with one film; distributors count both. Sunday's count is two. Screens decide the rest.

Screens decide the rest; Sunday ships no third prize. Arcel stays with Woman Unknown. Two top honors already left the Lido.

Mathilde Arcel's Best Actress statue is still Saturday's, for Woman Unknown. Two top honors already travel with that film. Sunday produced no second envelope on the Lido. A prize sticks to the performance, not to a recap.
Mathilde Arcel's Best Actress is still Saturday's. Two top honors already travel with Woman Unknown. Sunday produced no second envelope.

Mathilde Arcel's Best Actress is still Saturday's. The Lido gave her no extra envelope on Sunday. Recaps do not mint a second Actress prize.

-- CAMILLE BEAUMONT, Los Angeles