Thundercat's first album since the Grammy-winning It Is What It Is dropped Thursday with fifteen tracks, a posthumous Mac Miller feature, and a guest list that reads like a curated festival lineup.
Rolling Stone profiled Thundercat ahead of the release; Pitchfork and HipHopDX led with the Mac Miller posthumous feature as the news hook.
X music accounts are focused on the Mac Miller collaboration as the album's emotional center, treating it as both a tribute and a reminder of what was lost.
Stephen Lee Bruner -- Thundercat to anyone who has heard a bass guitar do things it should not be able to do -- released Distracted on Thursday, April 3, through Brainfeeder Records [1]. It is his fifth studio album and his first in six years, the longest gap of his career. The previous record, It Is What It Is, won the Grammy for Best Progressive R&B Album at the 2021 ceremony and contained a song called "Fair Chance" that featured Mac Miller, the rapper and producer who died of an accidental drug overdose in September 2018 at the age of twenty-six [2].
Mac Miller is on Distracted too. Track three, "She Knows Too Much," features a posthumous vocal recorded in Miller's garage before his death [3]. The song was released as a single on February 17 and arrived with the weight of its circumstances: Thundercat and Miller were close friends and frequent collaborators, and the decision to include the recording required coordination with Miller's estate, which released the posthumous album Balloonerism in early 2025 [4]. Thundercat told The Fader that the collaboration was "one of the hardest and most meaningful things I've done" [5].
The rest of the guest list reads like a who's-who of artists who occupy the space between genres: Tame Impala on "No More Lies," A$AP Rocky, Lil Yachty, Channel Tres, and Willow Smith [1]. Executive production is shared between Thundercat and Greg Kurstin, with additional production from Flying Lotus -- Brainfeeder's founder and Thundercat's longest creative partner -- Kenny Beats, and The Lemon Twigs [6]. Fifteen tracks, forty-six minutes. The album is long enough to breathe but too short to wander.
The six-year gap demands explanation, and Thundercat has offered one in interviews: he was distracted. The album's title is literal. He struggled with the follow-up to a Grammy-winning record, spent time producing for other artists, and contended with the particular paralysis that affects musicians who achieved critical acclaim and then had to decide what to do next. Rolling Stone's pre-release profile described the record as picking up "where It Is What It Is left off -- a psychedelic funk odyssey that treats genre boundaries as suggestions rather than rules" [7].
What makes Thundercat essential rather than merely virtuosic is his refusal to let technical mastery become the point. He plays a six-string bass with the fluency of a jazz conservatory graduate -- because he is one, trained by his father, Ronald Bruner Sr., a session drummer -- but the songs are about loneliness, friendship, and the absurdity of being alive. The bass playing is extraordinary. The songwriting is what stays.
Distracted arrives in a moment when the culture could use a record that does not explain itself. It is funky, strange, occasionally gorgeous, and haunted by a dead friend whose voice appears on track three as if he never left the room. Six years is a long time. The album sounds like every minute of it.
-- CAMILLE BEAUMONT, Los Angeles