The Devil Wears Prada Two Opens on Met Gala Week
Disney engineered the year's tightest fashion-calendar collision — a sequel twenty years late lands four days before Met Gala Monday, and the marketing math is the story.
The news. The narrative. The timeline.
Disney engineered the year's tightest fashion-calendar collision — a sequel twenty years late lands four days before Met Gala Monday, and the marketing math is the story.
The estate paid fifteen million in reshoots to keep Chandler out of the cut and got equity in the sequel — May 13 is when Lionsgate has to put that line on the balance sheet.
Iceland, Ireland, the Netherlands, Slovenia, and Spain have walked out over Israel's inclusion; the 70th Eurovision arrives in Vienna with 35 countries on the call sheet.
Five hundred thousand pounds reached twenty-six mid-tier acts in the Live Trust's first distribution; the same Friday Foo Fighters added a thirty-dollar pop-up in lower Manhattan.
Two thirty-dollar door-only club shows around a Bridgeport opener turn the Take Cover tour into a same-week test of face-value pricing in the New York metro.
The 79th festival opens with Salvadori's 1920s-Paris period comedy The Electric Kiss — a Marmaï-Demoustier vehicle, not an English-language tentpole.